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Gautam Jhanjee

About

Born in India, Gautam Jhanjee is an Australian-based artist working with large-scale symbolic painting. With a background in architecture, his work reveals a deep sensitivity to structure, rhythm, and spatial intelligence. Engaging archetypal and sacred forms drawn from multiple traditions, he explores the universals that underpin myth, religion, and cosmology in a world marked by civilisational fragmentation.

His paintings often centre on the human figure, situated within geometric or cosmological fields. These figures function as symbolic forms, serving as anchors for larger ideas of order, continuity, and meaning. Star fields, axial structures, and elemental colour are used to situate the figure within a broader cosmological frame.

Jhanjee works at scale and treats painting as an embodied, durational act. Surfaces are built through layered colour, spatial geometry, and restrained figuration. Many works are developed on raw canvas and later stretched or presented to suit their final context. The aim is visual clarity and symbolic coherence in a time of fragmentation.

His work has been exhibited in Australia and India through galleries, site-responsive exhibitions, and spiritual art festivals, and his website and artistic output are archived by the National Library of Australia as part of its Trove / PANDORA web archive.

Career Highlights

• Expanse — Mount Stromlo Observatory, Canberra (June 2025)
Three-day site-responsive exhibition aligned with the winter solstice, featuring large-scale
works on stellar and cosmological themes.
• Goddess with a Thousand Faces — Humble House Gallery, Canberra (March–April 2025)
Solo exhibition of thirteen large works, including monumental canvases.
• Gallery 78, Hyderabad, India (2022–present)
Artworks on sale via contemporary gallery in southern India.
• India International Spiritual Art Festival, Coimbatore, India (2021, 2023)
Group exhibitions within an international spiritual arts framework.
• National Library of Australia (Trove / PANDORA Archive) — April 2025
Website and artistic output archived as part of Australia’s permanent online cultural record.